Sum of all the parts (part 2)

A view of the roof, and spectacular reflection of the sky at the National Portrait Gallery. Sadly it doesn't capture the warmth of the timber ceiling. Various timbers were used throughout the building, including Hoop Pine, Southern Blue Gum from Tasmania, Spotted Gum from inland Queensland, Jarrah from Western Australia, Blackbutt Eucalyptus pilularis from along the Eastern Seaboard, Mountain Ash and Tasmanian Oak. Once again the use of such a wide variety of timbers was a deliberate design decision, once again reflecting Australian biodiversity.

Sum of all the parts (part 1)

Opened in December 2008, the new National Portrait Gallery of Australia bulding has been constructed and crafted in much the same vein as Parliament House. Incorporating stones and timber from each state and territory, the building's design reflects the natural diversity of elements found in Australia in a sleek and minimal way.

Since moving to Canberra, I have developed a newfound appreciation, almost fondness, for polished concrete within the realm of architecture, and this building is no exception. Despite its geometric design, it's a building of real warmth and character, especially as the afternoon light floods through the massive glass panels at either end of the building. Well worth a visit, even if you don't get to see any familiar faces.